Though largely out of the public eye for more than a century, Gustave Caillebotte (1848 - 94) has come to be recognized as one of the most dynamic and original artists of the impressionist movement in Paris. His paintings are favorites of museum-goers, and recent restoration of his work has revealed more color, texture, and detail than was visible before while heightening interest in all of Caillebotte's artwork. This lush companion volume to the National Gallery of Art's major new exhibition, coorganized with the Kimbell Art Museum, explores the power and technical brilliance of his oeuvre. The book features fifty of Caillebotte's strongest paintings, including post-conservation images of Paris Street, Rainy Day, along with The Floorscrapers and Pont de l'Europe, all of which date from a particularly fertile period between 1875 and 1882. The artist was criticized at the time for being too realistic and not impressionistic enough, but he was a pioneer in adopting the angled perspective of a modern camera to compose his scenes. Caillebotte's skill and originality are evident even in the book's reproductions, and essays offer critical insights into his inspiration and subjects. This sumptuously illustrated publication makes clear why Caillebotte is among the most intriguing artists of nineteenth-century France, and it deepens our understanding of the history of impressionism.

This lavish catalogue presents sketches made en plein air between the end of the eighteenth century and late nineteenth century. It accompanies a major exhibition at the National Gallery of Art, Washington (USA), the Fondation Custodia (France) and the Fitzwilliam Museum, Cambridge (UK). In the eighteenth century the tradition of open-air painting was based in Italy, Rome in particular. Artists came from all over Europe to study classical sculpture and architecture, as well as masterpieces of Renaissance and Baroque art. During their studies, groups of young painters visited the Italian countryside, training their eyes and their hands to transcribe the effects of light on a range of natural features. The practice became an essential aspect of art education, and spread throughout Europe in the nineteenth century. This exhibition focuses on the artists' wish to convey the immediacy of nature observed at first hand. Around a hundred works, most of them unfamiliar to the general public, will be displayed. The artists represented include Thomas Jones, John Constable, J.M.W. Turner, Pierre-Henri de Valenciennes, Achille-Etna Michallon, Camille Corot, Christoffer Wilhelm Eckersberg, Johan Thomas Lundbye, Vilhelm Kyhn, Carl Blechen, Johann Martin von Rohden, Johann Wilhelm Schirmer, Johann Jakob Frey, among others. The sketches demonstrate the skill and ingenuity with which each artist quickly translated these first-hand observations of atmospheric and topographical effects while the impression was still fresh. The exhibition and the catalogue will be organized thematically, reviewing, as contemporary artists did, motifs such as trees, rocks, water, volcanoes, and sky effects, and favourite topgraphical locations, such as Rome and Capri. The catalogue will present numerous unpublished plein air sketches, and contains original scholarship on this relatively young field of art history.

A NSTA Best STEM Book Explore the extraordinary achievement of Cyrus Field and one of the greatest engineering feats of the 19th century: laying a transatlantic telegraph cable to create instant communication between two continents. Cyrus Field had a big dream to connect North America and the United Kingdom with a telegraph line, which would enable instant communication. In the mid-1800s, no one knew if it was possible. That didn't dissuade Cyrus, who set out to learn about undersea cables and built a network of influential people to raise money and create interest in his project. Cyrus experienced numerous setbacks: many years of delays and failed attempts, millions of dollars lost, suspected sabotage, technological problems, and more. But Cyrus did not give up and forged ahead, ultimately realizing his dream in the summer of 1866. Mary Morton Cowan brilliantly captures Cyrus's life and his steadfast determination to achieve his dream.

A new appraisal of intriguing and meditative figural works by one of the 19th century's great masters of landscape The women painted by Camille Corot (1796-1875) read, dream, and gaze at the viewer, conveying an independent spirit and a sense of their inner lives. Corot's handling of color and his deft, delicate touch applied to the female form resulted in pictures of quiet majesty. Although these figural paintings constitute a relatively small and little-known portion of his oeuvre, they were of great importance for the founders of modernist painting, such as Paul Cezanne, Pablo Picasso, and Georges Braque. This publication encompasses some forty paintings by Corot-from the single-figure bust and full-length images of the 1840s through the 1860s nudes and his allegorical series devoted to the model in the studio. Essays by leading experts in the field address Corot's debt to the old masters and the impact of his pictures on both 19th- and 20th-century painting, the relationship of his figural work to his more famous landscape practice, his response to the shifting social position of artists' models, and the incursion of photography into artistic practice in the Second Empire and early Third Republic. Published in association with the National Gallery of Art, Washington Exhibition Schedule: National Gallery of Art, Washington (09/09/18-12/30/18)

Pierre-Auguste Renoir's Luncheon of the Boating Party (1880-81) is the jewel of The Phillips Collection. This volume reveals the fascinating characters in the painting and explores Renoir's technique. Eliza Rathbone is chief curator emerita at The Phillips Collection in Washington, DC. Mary Morton is curator and head of the Department of French Paintings at the National Gallery of Art in Washington, DC. Sylvie Patry is deputy director of Collections & Exhibitions and Gund Family Chief Curator at the Barnes Foundation in Philadelphia, PA. Aileen Ribeiro is Professor Emeritus of the University of London. Elizabeth Steele is head of conservation at The Phillips Collection in Washington, DC. Sara Tas is a curator at the Jewish Historical Museum in Amsterdam.

Will thirty years of experience bring this sidelined agent out of retirement? Experiencing a loss of physical strength resulting from a chronic health condition, Kate has decided to overcome the physical problems that greet her each day. She has nothing to lose and hopes for a future of growth instead of decline. Each new day is a gift to discover how much she can do, but could she work in the field again with other agents? Could Kate wield a gun; could her reflexes save her life or a partner in a crisis?

Will thirty years of experience bring this sidelined agent out of retirement? Experiencing a loss of physical strength resulting from a chronic health condition, Kate has decided to overcome the physical problems that greet her each day. She has nothing to lose and hopes for a future of growth instead of decline. Each new day is a gift to discover how much she can do, but could she work in the field again with other agents? Could Kate wield a gun; could her reflexes save her life or a partner in a crisis?

This Is A New Release Of The Original 1917 Edition.

This is a new release of the original 1954 edition.

This is a wonderful children's book about a cat named Mr. Siam. Four short stories in one: Mr. Siam and Lady Puff (Orange & White Kitten) Mr. Siam and Prince Blue (Blue Jay) Mr. Siam Encounters Pitiful (Black Dog) Mr. Siam Visits the Beach This book was written in dedication to the author's family cat, "Snook." Marie hopes you enjoy these stories as much as she and her family enjoyed Snook, her inspiration.

This is a wonderful children's book about a siamese cat named Mr. Siam. Four stories in one: Mr. Siam and Lady Puff (Orange & White Kitten); Mr. Siam and Prince Blue (Blue Jay); Mr. Siam Encounters Pitiful (Black dog), and Mr. Siam Visits the Beach. Marie Morton wrote this book in dedication to her family cat, "Snook," and she hopes you will enjoy these stories as much as she and her family enjoyed Snook, her inspiration.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

How does the law define "reasonable care" in the treatment of suicidal patients? What are the most clinically and legally appropriate procedures for evaluating and managing suicide risks? And what forms of precautionary planning and documentation are recommended for minimizing the likelihood of malpractice actions? Drawing upon years of clinical experience as well as extensive malpractice claims data and relevant case law, this book outlines effective assessment, management, and treatment procedures that balance the need for high-quality care with the requirements of court-determined and statutory standards. Three widely cited papers on standards of care are accompanied by four new chapters on clinical and legal risk management and issues surrounding pharmacotherapy. Offering frank, balanced coverage of an extremely challenging clinical situation, Risk Management with Suicidal Patients helps psychologists, psychiatrists, and other practitioners develop their own clinically and legally informed strategies for providing the best possible care. It is also an invaluable resource for legal professionals, and may serve as a text in psychology and psychiatry ethics courses and courses on mental health law.